Monday, February 25, 2013

China tensions with Japan sell fireworks?

Some manufacturers of New Year fireworks are profiting from strong anti-Japanese sentiment related to territorial disputes. Just check out the names of certain pyrotechnics for sale on Beijing streets.

By Peter Ford,?Staff Writer / February 6, 2013

A vendor walks out from a room where boxes of firecrackers with the words 'Tokyo Big Explosion' are stored in Beijing, Wednesday. The vendor said Chinese authorities have asked that the fireworks not be sold due to its name on the package. China and Japan are in a tense dispute over East China Sea islands that have inflamed anti-Japanese sentiment among Chinese.

Andy Wong/AP

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Nothing defines Chinese New Year like fireworks. On the stroke of midnight, Beijing erupts in a riotous, deafening barrage of explosions that out-bangs any war zone.

Skip to next paragraph Peter Ford

Beijing Bureau Chief

Peter Ford is The Christian Science Monitor?s Beijing Bureau Chief. He covers news and features throughout China and also makes reporting trips to Japan and the Korean peninsula.

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This year?s celebration, though, will carry ugly undertones of real war in the midst of rising tensions with neighboring Japan. On sale on the city?s streets in advance of Saturday night?s festivities is a box of pyrotechnics called ?Tokyo Explosion.??

Most fireworks here bear more benign names. ?Golden Snakes Dancing Crazily? is expected to be popular, as Chinese welcome in the Year of the Snake. ?Wish You Get Rich? and ?Billionaire? play to traditional desires.

But some manufacturers are seeking to profit from a seething undercurrent of anti-Japanese sentiment that has bubbled to the surface as a dispute with Japan over ownership of a group of uninhabited islands in the East China Sea grows increasingly bitter.

?I Love the Diaoyu Islands? is one such product, referring to the Chinese name for the islands. In Japan they are known as the Senkakus.

?Aircraft Carrier Shows China?s Might? is another, celebrating the October 2012 launch of the Liaoning, China?s first carrier, which has become a symbol of Beijing?s growing military strength.

Tensions around the islands edged up another notch this week, when the Japanese government revealed that a Chinese naval frigate had ?locked on? to a Japanese vessel with its missile-guidance radar system.

On Wednesday, Japanese Prime Minister Shinzo Abe called the incident a ?dangerous? and ?provocative? act ?that could have led to an unpredictable situation.?

On the Chinese Internet, however, angry micro-bloggers hailed the Chinese action.

?We should shoot at Japanese vessels before we warn them,? advocated Li Xu on Sina.com?s popular Twitter-like Weibo platform. ?The only way to punish Japan is to annihilate all Japanese,? added another commentator calling himself Truelove Leo.

The aggressively named fireworks reflect an anti-Japanese mood that the Chinese authorities sometimes seem eager to feed. Government and ruling Communist Party officials orchestrated anti-Japanese demonstrations last year when the island dispute broke out, and Chinese TV is flooded with drama series ? one much like another ? set during the Sino-Japanese war (1937-1945), featuring inhuman ?Japanese devils? as the popular Chinese phrase has it.

There is even a theme park in Shanxi Province where tourists can dress up as soldiers in the Eighth Route Army, the Communist Party?s main military force during the war, sing anti-Japanese war songs, and join in mock guerrilla battles against the Japanese invaders.

A public opinion poll released at the end of last year found that 87 percent of Chinese had a negative opinion of Japan, up from 66 percent a year earlier. And the feeling is mutual. A Japanese government survey in December found sympathy for China at a record low, with less than 20 percent of respondents reporting an affinity for their giant neighbor.

Not everybody buys into the prevailing atmosphere, however. When one Chinese blogger posted a screenshot from a recent TV drama capturing a particularly gory and ludicrous scene of a Chinese man tearing a ?Japanese devil? in half with his bare hands, most of the comments were scathing.

?Another brainwashing drama,? scoffed one. ?The Communist Party is unparalleled in this field.?

Source: http://rss.csmonitor.com/~r/csmonitor/globalnews/~3/wcyelXd30ig/China-tensions-with-Japan-sell-fireworks

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Oscar Worthy: Reel Grrls Building Confidence in Female Film ...

By Mary Coughlin?

Reels Grrls members arrived at Central Cinemas to watch their dreams play out before their eyes at their viewing party for the Oscars in 2010. As they watched Barbra Streisand take the stage on the screen before them, the girls moved to the edge of their seats. ?It?s about time,? said Streisand through the speakers. Their eyes widened. Some in pure shock, some excited, and many just incredibly relieved. In that moment, the impossible became possible. The honor of Best Director was given to Kathryn Bigelow.

Does anything about that name catch your attention? It should.

For 82 years, only men had been given the title of Best Director at the Oscars. The 70s produced a glimpse of hope when a woman was nominated for the first time. Three more have followed since then ? over 40 years of a couple nominations, and finally a winner announced. In 2010, that winner was Kathryn Bigelow. It?s been three years and the Oscars are about to reveal the finest moments in film this year with zero women nominated for the honor. It?s clear that Bigelow?s recognition for The Hurt Locker isn?t the only solution to the lack of female directors. A non-profit organization focused on advancing women in film, Reel Grrls gives girls the tools and confidence to be their own Bigelow.

Maile Martinez, Reel Grrls Program Manager. Thanks to: Reel Grrls.

Maile Martinez, Reel Grrls Program Manager. Thanks to: Reel Grrls

?At Reel Grrls, we are about creating a safe space where it?s normal to see women handling the equipment and technology associated with film production, and making leadership decisions,? said Maile Martinez, Reel Grrls Program Manager.

They start with the basics. It?s assumed that the girls don?t have any previous knowledge about film. This means that skills such as turning on a camera and pressing record are included. I mean, you have to start somewhere. Most of all, it?s a space free of judgment.

?Lights, Camera, Reel Grrls!? is a program currently running with 12 youths, 4 volunteer adult mentors and 1 adult on staff assisting. As girls are taught alongside the volunteer adults, they learn it?s okay to mess up as they see their mentors making the mistakes and growing with them.

For editing software, the girls use Final Cut Pro and beginners are given Pro-sumer cameras on which to work. The software is an industry standard, and the cameras are the intersection between professional and consumer ? a great place for beginners to learn.

Evangeline Spracklin, a Reel Grrls graduate, was once a beginner in filmmaking. She is now studying DX Arts at the University of Washington and working as a film coordinator for ASUW (Associated Students of the University of Washington). After joining Reel Grrls, she had the sense that someone believed in her abilities, and after graduating became a mentor to do the same for others.

Girls in action at a Reel Grrls workshop. Thanks to: Evangeline Spracklin

Girls in action at a Reel Grrls workshop. Thanks to: Evangeline Spracklin

?I feel like I owe so much to Reel Grrls,? said Spracklin. ?I wanted to be a filmmaker, and I can now say that I am. It?s a big step to be able to declare that, and Reel Grrls helped.?

In just 12 years of being open, Reels Grrls has helped many people feel confident in their pursuit of filmmaking ? they directly serve 350 girls in their media lab, and 1,500 boys and girls indirectly through workshops and school visits. Graduates of their programs have gone on to pursue their careers and continue education through schools such as the University of Washington, New York University and the University of Southern California, among others.

To build that foundation of confidence, girls are encouraged to create their own stories, and they have the freedom to pick their subjects. They also have the opportunity to work on video production for partnering organizations and non-profits, a level of trust that results in a great confidence boost.

As girls go through the program, that confidence results in leadership and growth. With only four women in history being nominated for Best Director, it?s a hope that there will also be growth in the list of women nominees at the Oscars.

Many thought Bigelow?s film Zero Dark Thirty would bump up the list of female Best Director nominations to a staggering five in 2013. When nominations for this year were announced, Bigelow was excluded. Despite the film being nominated for Best Picture, Actress, Original Screenplay, Film Editing and Sound Editing, the Academy chose to leave the director out of the running. A film nominated for Best Picture without a nomination for the director has only happened three times in history, until this year.

Bigelow joined the list of the snubbed.

To Martinez, this exclusion comes as no surprise, but it is still a disappointment. At Reel Grrls, they were hoping to have a celebration with an ending similar to 2010.??

Whether or not Bigelow?s name is announced at future Oscars, her stance is clear.

Long before her directing recognition in 2010, Bigelow had confidence in herself and her fellow women. During a 1990 interview regarding her film ?Blue Steel?, she said, ?There should be more women directing; I think there?s just not the awareness that it?s really possible. It is.

Indeed, it is very possible. Check out some of the films produced by girls through Reel Grrls and you?ll be convinced. With over 1,000 participants at Reel Grrls in more than 10 years, and films honored in 90 film festivals globally, women are showing that they are more than capable.

Look out Bigelow. You?ve got some competition on your hands.

To learn more about getting involved with Reel Grrls, email info@reelgrrls.com, or visit http://www.reelgrrls.org/.

Evangeline Spracklin (left) and fellow filmmaker at a Reel Grrls event. Thanks to: Evangeline Spracklin

Evangeline Spracklin (left) and fellow filmmaker at a Reel Grrls event. Thanks to: Evangeline Spracklin

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Tags: Academy Awards, Bigelow, feminism, film, Journalism, movies, Oscars, Reel Grrls, women

This post is categorized in: Entertainment

Source: http://flipthemedia.com/2013/02/oscar-worthy-reel-grrls-building-confidence-in-female-film-makers/

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Pistorius' brother facing charge in traffic death

JOHANNESBURG (AP) -- The murder case involving Olympic star Oscar Pistorius took another unexpected turn Sunday with the news that his older brother, Carl, is himself facing charges for the death of a woman in a traffic accident.

Carl Pistorius faces a charge of unlawful, negligent killing for a 2008 road death, ''in which a woman motorcyclist sadly lost her life,'' Kenneth Oldwage, the Pistorius family lawyer said on Sunday. The accident happened in Vanderbijlpark, south of Johannesburg. The charge of ''culpable homicide'' was dropped and then reinstated and will be challenged in court, the lawyer told The Associated Press.

It is the second time someone associated with the Pistorius case has been found to face a serious charge that has been dropped and then reinstated. It was revealed that the chief police investigator in the case is facing charges of seven counts of attempted murder for shooting at a vehicle with seven passengers. Following the revelations, Hilton Botha was removed from the Pistorius investigation and a new chief detective was appointed on Thursday.

To drop and then reinstate charges is ''not uncommon in South African criminal law. The law specifically makes provision to allow charges to be dropped and then to be reinstated as a result of further investigations,'' said Jacob van Garderen, director of Lawyers for Human Rights. ''It is a practical procedure, a process that is there to assist both sides.''

In another twist this weekend, model Reeva Steenkamp, who was shot to death by Oscar Pistorius on Valentine's Day was on television again in a new episode of the reality show ''Tropika Island of Treasure 5'' even though she was buried last Tuesday.

On Monday, Oscar Pistorius must report to the police station in Brooklyn, a suburb of the nation's capital Pretoria, and sign in, a twice-weekly procedure which is part of his bail conditions.

Pistorius was released on bail Friday and stayed at the home of his uncle Arnold in Waterkloof, an affluent suburb of Pretoria, where Oscar is now staying. His brother, Carl, came to visit the house Sunday.

The problem confronting his older brother Carl is the latest complication in a case that has transfixed South Africa and much of the world.

''It's also doubly sad because it's involved with Oscar and his brother and all the family - so they have double sort of trouble,'' said Johannesburg resident Jim Plester.

Lawyer Oldwage said that ''Carl deeply regrets the accident'' and that a blood test showed he was not drunk at the time. He said the charges had initially been dropped, only to be reinstated later.

Oscar Pistorius was charged with premeditated murder, but the athlete says he killed his girlfriend accidentally, opening fire after mistaking her for an intruder in his home.

The character of Pistorius also continued to take center stage. For many, it mirrors his public appearances as an articulate, well-spoken advocate for Paralympic athletes facing hardship. Witness statements describing Pistorius as a down-to-earth guy were presented at the hearing.

Others have described him as a reckless risk taker who has been in trouble before, such as a boating accident in 2009 which put him into a hospital intensive care unit.

But in a report on Sunday, a South African man who said Steenkamp had stayed at his home since September, described Pistorius as moody and impatient. Cecil Myers, whose daughter was close friends with Steenkamp, said in an interview in the City Press newspaper, that Pistorius will have the killing of Steenkamp on his conscience. ''I hope he gets a long sentence. Gets what he deserves,'' said Myers.

Pistorius appeared ''very nice and charming to us when they started dating,'' said Myers. Myers said Pistorius initially used to come into the house but later just dropped Steenkamp off and picked her up when they began to date steadily, and he described the change as a lack of respect.

Myers recalled their first date and told the newspaper: ''After that he wouldn't leave her alone. He kept pestering her, phoning and phoning and phoning her.''

According to Myers, Steenkamp ''told me he pushed her a bit into a corner. She felt caged in.''

Myers said he told Pistorius ''not to force himself on her. Back off.'' He said that after initially agreeing with him, it appeared that Pistorius soon took no heed.

Myers declined to respond to a request for more information from Associated Press.

In the bail hearing, a character reference for Pistorius, acknowledged that ''the only issue in the relationship that I was made aware of was that Reeva sometimes thought Oscar was moving a little fast.''

Pistorius was born without fibula bones due to a congenital defect and his legs were amputated when he was 11 months old. He has run on carbon-fiber blades and was originally banned from competing against able-bodied peers because many argued that his blades gave him an unfair advantage. He was later cleared to compete. He is a multiple Paralympic medalist, and won a silver medal at the 2011 Daegu world championships with South Africa's 4x400 relay team. But he failed to win a medal at the London Olympics, where he ran in the 400 meter race and the 4x400 relay race.

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AP Sports Writers Gerald Imray contributed from Centurion and John Leicester from Johannesburg. AP Writers Christopher Torchia and Andrew Meldrum contributed from Johannesburg.

Source: http://news.yahoo.com/pistorius-brother-facing-culpable-homicide-085119571--spt.html

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Danielle Tumminio: Candida Moss on Whether Christian Martyrs are a Myth

I recently got my hands on a copy of Dr. Candida Moss's latest book, "The Myth of Persecution: How Early Christians Invented a Story of Martyrdom." As a person of faith and an academic, I was fascinated and challenged by some of her findings about how ancient Christian martyr stories continue to affect how many Christians understand their faith today, and I wanted to know more. What follows is an in-depth series of questions that I asked to Dr. Moss, who's a New Testament scholar at Notre Dame University:

So Dr. Moss, what led you to write this book?

I initially became interested in this subject because of a homily I heard that compared the situation facing modern Christians in America to the martyrs of the early church. I was surprised by the comparison because modern Americans aren't living in fear for their lives and the analogy seemed a little hyperbolic and sensational. After this, I began to notice the language of persecution and victimization being bandied about everywhere from politics, to sermons, to the media, but rarely in regard to situations that involve imprisonment and violence.

Huh. That's curious. Can you say a little more about how you saw martyrs being used in American public discourse?

Often these statements referred to the history of the early Church as evidence that Christians have always been persecuted and, thus, should expect to be persecuted today. In these arguments, a lot of weight rests on the idea that Christians were persecuted in the early church because, without the idea of near-continuous persecution, it would be difficult to recast, say, disagreements about the role of prayer in schools as persecution.

So you're saying that there's a widespread belief that we don't say Christians were always persecuted in history, then it's harder for some contemporary Christians to say that they're still persecuted?

Yes. But intriguingly, the historical evidence for systematic persecution of Christians by Jews and Romans is actually very slim. There were only a few years before the rise of the emperor Constantine that Christians were sought out by the authorities just for being Christians. The stories about early Christian martyrs have been edited, expanded, and sometimes even invented, giving the impression that Christians were under constant attack. This mistaken impression is important because it fosters a sense of Christian victimhood and that victim mentality continues to rear its head in modern politics and society. It's difficult to imagine that people could make the same claims about persecution today were it not for the idea that Christians have always been persecuted.

Wow -- so that sounds like a pretty bold claim that some contemporary Christians are making. What do these Christians gain by having this tradition of martyrs? What is lost or harmful about this tradition?

Christian martyrs are sources of inspiration and moral instruction. The traditions associated with these martyrs show them displaying virtues like courage, love, and perseverance. These are ordinary Christians who overcame human self-centeredness in defense of their faith. Stories about the sufferings and triumphs of women and slaves have proven particularly inspirational for those who are sick, suffering, or oppressed.

At the same time, however, and as I argue in my book, identifying oneself as a persecuted minority necessarily identifies others as persecutors. It turns disagreement into a struggle for survival with an innocent "us" pitted against a hateful "them." This polarizing view of the world not only makes it impossible to have meaningful dialogue and collaboration, but it can also be used to legitimize violence against others in the name of "self-defense." Perhaps the worst effect of this misuse is that it harms those who truly are persecuted: Sadly, people of many religious traditions continue to be persecuted around the world, and yet their voices are drowned out by our own. In my opinion, we need to reserve the language of persecution for the situations of violence that truly warrant them.

You're both a historian and a person of faith. Some of the historical evidence you offer in this book may be challenging for people of faith to read. Was it challenging for you to write? What would you say to those readers who might struggle with the historical evidence in this book?

In a word, yes. To those readers who might struggle with this book, I would say that you can appreciate the martyrs without subscribing to the view that Christians were, are, and always have been persecuted. We still have an obligation to get our facts straight, however painful that might be. Getting the history right can help reduce the alarmist, conspiratorial rhetoric of victimization so common today. And it can also strengthen our appreciation for the real martyrs. Martyrdom accounts are inspiring -- and should be -- but we do those people who suffered and died a deep disservice when we extend their experience to claim that "all Christians are persecuted and always will be" because that's not true, then and now.

In one of this book's early chapters, you write about the concept of a good death. What did it mean to die a good death in the ancient world? Can you talk a little bit about the differences between a good death in ancient Greece and in ancient Judaism?

It seems very counter-intuitive to us, but ancient Greeks, Romans, Jews and later Christians thought about death -- a lot. They theorized about what it meant to die nobly and even encouraged people to embrace death in the service of country, city, law or God. Iconic figures like Achilles and Socrates were remembered in large part because of the way in which they died. For ancient Greeks fighting in battle, dying nobly ensured that one would be remembered as a courageous hero. Ancient Jews were willing to lay down their lives out of obedience to the law but also in the knowledge that God would reward them in the afterlife. But while Jews and Romans differed about what, precisely, was worth dying for and the form of reward they could expect, they were in agreement that dying with self-control for something greater than oneself was a good thing.

So how did ancient Greek and Jewish ideas about a good death affect the early Christians?

Christianity emerged in a world in which everyone valued dying for a cause. So it makes sense that the early Christians shared this view and that they interpreted death -- especially the traumatizing death of their leader -- in a similar way. Sometimes scholars or modern observers will say that ancient Christians must have been crazy for desiring martyrdom because it is unnatural or insane. But the fact of the matter is that dying nobly was well regarded in ancient culture and Christians were perfectly in keeping with the rest of society valorizing certain kinds of death.

That's really interesting. In my role as a priest, I have the opportunity to talk to people fairly regularly about their own mortality, and most people I speak with believe that a good death involves dying peacefully, preferably in their sleep. I've also heard many people say that they would want to be surrounded by friends and loved ones. So dying for a cause isn't something that comes up often when they think about a good death. You don't write about this a lot, but I'm curious: Do you think that 21st century Westerners have a different idea about what it means to die a good death? Do you think our perception of death now is healthier than in the ancient world?

It's a good thing that we aren't volunteering to become martyrs as some early Christians did! But I think that 21st century Westerners don't think about death enough. Despite the maxim about death and taxes, we tend to imagine that we can live forever, and a lot of people speculate about whether or not we can eradicate death altogether. The effect of this is that we are shocked and traumatized when death takes place, and we don't think enough about the principles that we value more highly than ourselves.

So then how did Jesus' death affect what the early Christians thought about a good death and martyrdom?

The belief that Jesus was the Son of God has allowed Christians to ask themselves not just 'what does God want from us ' but also 'what would Jesus do?' When it comes to martyrdom, there is one very clear-cut answer: Jesus would die. In trying to follow in the footsteps of the Savior, early Christians self-consciously modeled their deaths on that of Jesus. The late first century bishop Ignatius of Antioch writes -- in terms that are a little uncomfortable to modern ears -- that he longs for his body to be consumed by the wild animals so that he can imitate the suffering of his God. He was not alone. This meant that dying like Christ was a dearly cherished ideal for Christians, even if, unlike Ignatius, they never underwent martyrdom themselves.

On page 52, you write that, "The afterlife that martyrs describe is bodily resurrection" in the ancient Jewish, and Christian communities. For me, at least, this makes me wonder if the afterlife was a kind of convenient coping mechanism that martyrs used to justify their suffering. Would you characterize it this way? And if this was the case -- or even if it wasn't -- would you consider this to be evidence against the existence of an afterlife?

The resurrection of the body does provide consolation for the grieving and it does function as a coping mechanism for people, even today. That said, just because people find consolation in something doesn't necessarily mean it's not true. I would say that the development of ideas about the resurrection in tandem with ideas about martyrdom isn't evidence against the afterlife, but it does help us understand the history of why people think about the afterlife in the way that they do. Jewish authors first described the afterlife as the restoration of the body in response to the disfiguring torture and execution of observant Jews in the second century BC. Christians were heirs to this tradition. And some Christians adopted the idea that they would be resurrected in their bodies along with the idea that they should suffer for God.

After offering some pretty compelling evidence, you conclude on page 213 that, "Many cherished and widely held beliefs about martyrs are far from the mark, that persecution was not as severe as Christian authors and two thousand years of tradition would lead us to believe, and that we have very little evidence for what the martyrs themselves actually said." Can you talk a little bit about why the early Christians created these myths? Do you think they saw the creation of these myths as problematic or would this have been an accepted practice at the time?

There were a lot of motivations for creating martyr stories. Sometimes there was a vague story of a particular saint floating around that a scribe simply set in writing and embellished in order to support local religious practices. Sometimes a scribe composed a martyrdom story for an anonymous deceased Christian who may or may not have been a martyr. Other times, stories were expanded or anecdotes added in order that the martyr could be remembered for approving bishops or condemning heretics. Christians weren't the only ones to do this-Greek historians Herodotus and Thucydides did the same thing -- so it clearly wasn't as problematic for ancient audiences as it is for us. At the same time, we can't accept this history of persecution uncritically. We need to be realistic about the nature of our traditions.

So along those lines, how can the historic martyrs who did sacrifice their lives for a greater good be a positive force in contemporary society? And if some of the martyr stories we have are fiction instead of fact, can they still serve a positive purpose?

We need to keep the figure of the righteous sufferer in our religious cast of characters because without it, we might lean too heavily towards the idea that the socially and politically marginalized deserve their lot in life. Some of these martyrs' stories may not be based on historical events, but these are stories of courage, of emboldened Christians standing up for their beliefs, and of people speaking out in the face of injustice and tyranny. They are stories about people suffering despite being good and sometimes because they were good, rather than because they were punished.

In the conclusion, you write about the rhetorical power of Joan of Arc, a well-known French martyr who still plays a role in French political and social life. Do you think that there is there such a thing as too much remembering? At some point, should the stories of a martyr be forgotten?

As a historian, I think that remembering is an aid to avoiding future mistakes, and as someone who works on martyrs, I want everyone to remember them, but I also know that that process of remembering the past is unavoidably partisan and ideological. My own work included! I think we need to treat religious memories with care because they exert a great deal of power-for good and for bad-in the present.

You present some rich evidence that the early Christian community was not persecuted and that many martyr stories were made up. In light of your scholarship, what needs to change in the Christian community today? Or, put differently, how would you like the Christian community to use your work?

In my opinion, the important thing is that we don't reproduce the false history of persecution in destructive ways: We're not always persecuted and situations are not always black and white. Conflict and disagreement are sometimes just that, and sometimes there are two valid sides to an argument. Even things that seem unjust might be the result of honest disagreements and good-natured misunderstandings. So we need to use language that reflects the wide variety of factors that contribute to conflict involving Christians. At the same time we also need to be attentive to all instances of injustice and violence. Unprovoked violence against another human being is morally wrong regardless of whether or not the attack is religiously motivated. By fixating on persecution, we're allowing ourselves to overlook a great deal of injustice.

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Follow Danielle Tumminio on Twitter: www.twitter.com/RevDaniBeth

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Source: http://www.huffingtonpost.com/danielle-tumminio/candida-moss-on-whether-c_b_2743722.html

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